Wednesday, November 14, 2012

If

If—

 
By  Rudyard Kipling
 
If you can keep your head when all about you
Are losing theirs and blaming it on you,
If you can trust yourself when all men doubt you,
But make allowance for their doubting too;
If you can wait and not be tired by waiting,
Or being lied about, don’t deal in lies,
Or being hated, don’t give way to hating,
And yet don’t look too good, nor talk too wise:

If you can dream—and not make dreams your master;
If you can think—and not make thoughts your aim;
If you can meet with Triumph and Disaster
And treat those two impostors just the same;
If you can bear to hear the truth you’ve spoken
Twisted by knaves to make a trap for fools,
Or watch the things you gave your life to, broken,
And stoop and build ’em up with worn-out tools:

If you can make one heap of all your winnings
And risk it on one turn of pitch-and-toss,
And lose, and start again at your beginnings
And never breathe a word about your loss;
If you can force your heart and nerve and sinew
To serve your turn long after they are gone,
And so hold on when there is nothing in you
Except the Will which says to them: ‘Hold on!’

If you can talk with crowds and keep your virtue,
Or walk with Kings—nor lose the common touch,
If neither foes nor loving friends can hurt you,
If all men count with you, but none too much;
If you can fill the unforgiving minute
With sixty seconds’ worth of distance run,
Yours is the Earth and everything that’s in it,
And—which is more—you’ll be a Man, my son!

Tuesday, October 23, 2012

HT: Language

Beautiful Symbolism Quote

“He was touched in the cavity where his heart should have been – in that nest of addled eggs, where the birds of Heaven would have lived if they had not been whistled away – by the fervour of this reproach,” (Dickens 225-6).

I thought that this quote was really meaningful because of the symbolism that it presents. The fact that the heart is being symbolized by the "birds of Heaven" is really cool because it makes the heart sound like a gorgeous place "to live". I think thats really important since the whole book is about living through both your heart and your mind.

HT: Language

Interesting Voice:

“Dear reader! It rests with you and me, whether, in our two fields of action, similar things shall be or not. Let them be! We shall sit with lighter bosoms on the hearth, to see the ashes of our fires turn grey and cold,” (Dickens 288).

I believe that this quote is really awesome because the narrator ends the book by directly referring to the reader. It also kind of sums up the message of the whole book by comparing the light and fire to grey and cold. Everything in this last quote brings together a lot of the metaphors that have been consistently represented throughout the book, and I think that is really cool.

HT: Language

Quote With An Awesome Characterization of Louisa

“Upon a nature long accustomed to self-suppression, thus torn and divided, the Harthouse philosophy came as a relief and justification. Everything being hollow and worthless, she had missed nothing and sacrificed nothing. What did it matter, she had said to her father, when he proposed her husband. What did it matter, she said still. With a scornful self-reliance, she asked herself, What did anything matter - and went on,” (Dickens 163)

I thought this quote really represented Louisa's attitude as she grew up in the Gradgrind household. After the circus incident she seemed to take on this attitude of "what did it matter" anymore. It also shows that because nothing matters in life, she hasn't really done anything of importance with her life. I think that the words that describe Louisa in this quote - "self-suppression", "torn", "divided", "hollow", "worthless", and "sacrifice" - really capture the inability for the Gradgrindian system to provide happiness.

HT: Language

“A blur of soot and smoke, now confusedly tending this way, now that way, now aspiring to the vault of Heaven, now murkily creeping along the earth, as the wind rose and fell, or changed its quarter: a dense formless jumble, with sheets of light in it, that showed nothing but masses of darkness: - Coketown in the distance was suggestive of itself, though not a brick of it could be seen,” (Dickens 111)

HT: Language

“It seemed as if, first in her own fire within the house, and then in the fiery haze without, she tried to discover what kind of woof Old Time, that greatest and longest established Spinner of all, would weave from the threads he had already spun into a woman,” (Dickens 95).

HT: Perspectives

Hard Times Connection to Aladdin

I think the movie Aladdin can be connected to Hard Times for a few reasons. First of all, we see socioeconomic divisions between Aladdin and Jasmine. However, in the movie, the two end up falling in love and we see a cross between people of different class. This is different than Hard Times because everyone stays within their own class, with the exception of Sissy because she gets to be "a part" of the Gradgrind family.

Also, there are character similarities between Bounderby and Jafar. They are both in a position of power and influence, Bounderby as a banker and owner of the factory and Jafar as the sultan's second hand. Both characters are very conceited and self-centered and they both end up in a game of lies. Bounderby lies about his status as a "self-made man" and Jafar by trying to manipulate the sultan.